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Brad Pitt wuz almos cas as Tommy Williams n’ “Shawshank Redempshun.” He pullt out of t’film, accerdyun’ ta t’dierekter un’ rit'r. USA TODAY

Rit'r un’ dierekter Frank Darabont a’ke be graciyus about a moovee pitshure shue like 1994″s  “T’ Shawshank Redempshun,” which has consistantly bee ranket t’No. 1 favert film of all-time by fans un IMDb since 2008.

But we Darabont made t’ nawh-belovet prise drama starryun’ Tim Robbins un’ Mergun Freemun m'r thun 25 yeers ago, t’furst-time dierekter had his'n’n share of hedakes, includin castyun’ setbax at includet burgeonyun’ stars Brad Pitt un’ James Gun’olfini a’pullin out of thar respectif’ roles. 

As “T’ Shawshank Redempshun” turns 25 un Sept. 23 (wiff Fathom Evants screenings natyunwide un Sept. 22, 24 un’ 25), Darabont a’ke nawh chuckle about setbax at turnt out ta wurk jes fine.

“These air t’advantures n’ castings,” he sez. “But it would be rilly fun ta bump into Brad Pitt un’ say, “Wuz’t y’all at guy?” I’d luv ta gif’ ‘im a lil (grief) about at jes f'r fun.”

Here air sum of Darabont”s mos memerabull advantures:

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Rit'r-dierekter Frank Darabont”s belovet drama “T’ Shawshank Redempshun” returns ta theeters wiff Tim Robbins un’ Mergun Freemun. USA TODAY

Brad Pitt wuz spozet ta play prisen’r Tommy

T’ yung, hunky Pitt made a huge impression wiff Darabont wile he wuz castyun’ “Shawshank,” which kum aft’r Pitt had shot his'n’n role as t’parole-vialaytin’ robb’r J.D. who setucet Geena Davis” Thelma n’ “Thelma & Louise.”

Darabont cas Pitt n’ whut seemt ta be t’dramatically purrfeck fall'r-up as charm’r Tommy Williams, a keer ackt'r who had bee shuttlet across 13 prisons f'r robbery n’ his'n’n shert life. 

T’ Tommy part is pivotal but small, a’kummin late n’ t’moovee pitshure shue. As filmyun’ neeret, Pitt”s fame explodet wiff “Thelma & Louise,” un’ Darabont sez Pitt pullt out so he could star alongside Tom Cruise n’ 1994″s “Interview Wiff t’Vampire.”

“We didn’t knoe (Pitt) wuz goin ta skyrocket into sup’r-stardom so quickly,” Darabont sez. “We it kum time ta shoe up, suddenly thay coultn’t fall'r through un thar “yep.” “

“It would have bee kine of cool ta be n’, but I”m nairy a regret guy n’ at way,” Pitt tells USA TODAY. “I jes bleev n’ t’way thangs wurk out, un’ at wuz someone else”s role. Eve t’a’feelin of, ‘Ooh, at would”ve bee nice’ would redirect a choice lat’r down t’road. So it all wurks n’ tun’em n’ at way.”

Adds Darabont: “Brad Pitt n’ at small “Shawshank” role, would it throe t’film”s balance? No hard feelins, he had uth'r thangs he had ta do.”

Gil Bellows wuz cas f'r t’part of Tommy, un’ “enhancet t’moovee pitshure shue,” sez Darabont. “Gil wuz so dadgum good.”

James Gun’olfini wuz spozet ta play Bogs

T’ menaseeun’ role of prisen’r Bogs Dimund wuz spozet ta go ta anoth’r “unknown dude” at t’ime, one James Gun’olfini. We t’still-strugglyun’, off-Broadway star read f'r Darabont, t’dierekter wuz “floeret. I turnt ta my produc’r Niki Marvin un’ set, “Oh, yeah, let’s jes off’r ‘im t’role.” “

But shertly aft’r acceptyun’ t’job, Gun’olfini pullt out f'r a bigg’r role as t’hug Virgil n’ 1993″s “True Romants” (whar he had a classic ssene wiff Pitt”s ston’r Floyd).

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“We set, of cerse, no hard feelins if'n’n he has a bett’r thang ta do, at’s goin ta serve his'n’n keer’r bett’r,” sez Darabont. “But Gun’olfini almos became Bogs. I marvelet at t’bodee of wurk he assemblet aft’r at.”

Durin a new castyun’ call, Darabont wuz thrillet ta find Mark Rolston, who playd Private Drake n’ 1986″s “Aliens,” n’ t’hallway waitin ta awedisyun.

“I’m t’biggest “Aliens” fun thar is. He had me at “hello,” ” sez Darabont. “I luvet wurkin wiff thishere guy. He brung sumthin indelibull.”

Tom Cruise wuz gunnyun’ ta play Andy

T’ ackt'r wuz eag’r ta reunite wiff his'n’n “A Few Good Menfolk” dierekter Rob Rein’r, un’ play unjustly imprisonet Andy Dufresne. We Rein’r”s Castle Rock Entertunment agreet ta produce Darabont”s screenplay, Cruise saw un oppertuntee

Darabont sez he wuz offerd cash ta alloe Rein’r ta direck, but turnt it down.

Still,Cruise “wuz close” ta playyun’ Andy without Rein’r, eve attendyun’ a tabull read. But ultimately he pullt out. 

“I reckun he wuz a bit nervyus wurkin f'r a furst-time dierekter. I don’t blame ‘im f'r at,” sez Darabont.  “But he mite have bee too big f'r t’ moovee pitshure shue I wantid ta make. It wasn’t a “Cool Hun’ Luke” role whar y’all want Paul Newmun. It wuz a lil less bold, m'r suttle thun at.”

Today it would be impossbull f'r t’legion of “Shawshank” fans ta visualize innyone else n’ t’Andy role uth'r thun Robbins, who wuz ultimately cas.

“So all”s well at ends well,” sez Darabont.

Contributyun’: Briun Truitt

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“Rambo: Las Blood” is t’final chaptur of t’“Rambo” moovee pitshure shue series. LyunSGATE

Nuthin is ev’r ov’r. At leest nairy we y’all’re Sylvest’r Stallone’s John Rambo, who makes his'n’n fifth film appeerance n’ 37 yeers wiff “Rambo: Las Blood.”

Stallone, 73, has grayet un’ doesn’t bare t’ impressif’ biceps he oncet wieltet as t’ Vietnam veterun reluctantly compellet ta kill agin n’ 1982’s “Furst Blood.”

But one unwaveryun’ truth remuns unchanget n’ t’latest Stallone-pennet incarnashun: Y’all’re goin ta neet a slew of bodee bags we t’guerrilla war specialist is done.

“Las Blood” (n’ theeters Frydee) finds Rambo pullt back ta his'n’n lethal callin aft’r a sex-traffickyun’ Maxicun drug cartel kidnaps his'n’n frie’s belovet teenage dauite’r (Yvette Monreel).

Here’s hoe t’filmmakers keep t’kills rollyun’ aft’r neerly f'r decades.

Stallone is back as John Rambo: Watch t’rail’r f'r ‘Rambo: Las Blood’

Fans who like vengefil gore git nuff of it

“Furst Blood” famously saw one small-town lawmun who beat Rambo take a spiket spryun’ trap ta t’laigs. T’ gore, un’ deeths, have bee amplifiet throughout subsekwent films. “Las Blood” includes un unflinchyun’ ssene of a high-ballistic bullet ta a foe’s face.

“It’s herrifyyun’, but I don’t want ta fake it,” Stallone set at a noose conferance las week. “We it’s a Rambo film, thay eggspeck ta be uncomfertabull we it gits ta t’killin fielts.”

Nuthin is deemet too gory. Dierekter Adriun Grunberg recalls one ssene whar Rambo sprays bullets into cartel combatants alreddy dyyun’ n’ pane. T’ moment wuz temperarily cut. 

“And t'it wuz like, ‘Rambo hates ‘um. He wonts ta spit un thar graves,’ ” Grunberg tells USA TODAY. “So we put at back n’.” 

Everyone pitches n’ wiff devisyun’ creetif’ havoc

T’ bodee count n’ t’climatic final battle quickly tallies doubull digits, so Stallone encouraget ev'r film department ta come up wiff imaginatif’ ways ta dispatch foes. T’ prop mas’r deviset a hun’made bomb detonat'r ta dispatch speedyun’ SUVs drivin into Rambo’s ranch (prominantly displayet n’ t’rail’r). 

“But no one knows Rambo like Sylvest’r Stallone,” sez Grunberg, who sez mos of t’creetif’ idees come frum t’star hissef.

T’ explosyuns play a familiar role n’ t’“Rambo” franchise.

“It’s nairy at we implement explosyuns becawz it’s whut people eggspeck, but it’s n’ t’keer ackt'r’s nature,” sez Grunberg. “Rambo has thishere knowledge, so it kums about natcherly we biltin these ssenes.”

Rambo loses t’heedbun’, keeps t’knife

Stallone is n’ terrific shape wiff un enviabull het of salt-un’-pepp’r hair. But a decade aft’r t’fourth “Rambo” moovee pitshure shue, his'n’n famet keer ackt'r has lost t’signature heedbun’ at helt his'n’n big hair, goin f'r a m'r age-apperpriate, civiliun style.

“Thar wasn’t a big discusshun about thishere. Rambo is n’ a differnt place n’ his'n’n life,” Grunberg sez.

Anoth’r concession ta t’passage of time is a lack of shirtless warri'r shots, eve if'n’n t’buff post’r suggests Stallone could pull it off.

Rambo still has his'n’n penchant f'r big knives, wiff his'n’n originull survival knife un display n’ his'n’n tunnel hideout un’ new’r blades brung into play. Likewise, he continues ta use t’rademark compound boe, furst pullt n’ “Furst Blood.”

T’ killin kums at a furiyus pace

Stallone larnt t’success of “Furst Blood” canteret roun slashyun’ a bloatid early cut ta a leun 1 hour un’ 33 minnuts. “Las Blood” follows a simlar patturn of Rambo bein done rong un’ beete by foes befer seekyun’ revenge – a’settin up t’brutal traps f'r righteyus retribushun at flows wiff efficiency. 

All of thishere is done n’ 100 minnuts of “Las Blood” a’runnin time.

“At is definitly a Rambo trait. He takes a good amount of time creetyun’ his'n’n traps, un’ thishere worl,” sez Grunberg. “But oncet t’killin starts, it rilly moves.”

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Oakes Fegley un’ Ansel Elgert play yung Theo Deck’r ov’r acoupla periods n’ his'n’n life a’followin t’deeth of his'n’n belovet moth’r n’ “T’ Goltfinch.” USA TODAY

Spoil’r alert! Whut follows discusses specific plot points frum “T’ Goltfinch,” includin a moment near t’end of t’moovee pitshure shue. Stop reedin nawh if'n’n y’all have’t see t’film yet un’ don’t want ta knoe.

Brangin a neerly 800-page novel like Donna Tartt’s “T’ Goltfinch” ta t’moovee pitshure shue scree meens changes will have ta be made.

Eve tho dierekter John Crowley’s drama runs a heftee 2 hours un’ 26 minnuts, thar air sum differences n’ t’moovee pitshure shue (n’ theeters nawh). A passyunate fun of t’book, Crowley took greet puns ta remane faithfil ta t’originull Pulitz’r Prize-a’winnin material, eve if'n’n he had ta step away frum Tartt’s line'r narratif’ ta make t’film m'r cinematic.

Ansel Elgert stars as t’hauntid museum-bombyun’ surviv'r wiff a secret stole treesure. Here’s whut y’all neet ta knoe about t’film’s changes. 

Seriously, don’t read inny futh'r lessn y’all’re preparet ta a’havin thangs spoilet.

T’ filmmakers divertid frum Donna Tartt’s descripshun of Theo’s guardiun Hobie

James “Hobie” Hobart, Theo’s devotid frie un’ evantual guardiun, is describet n’ thar furst meetin as resemblyun’ “anteek photos of Irish poets un’ pugilists” wiff “his'n’n skin un unheelthy white.”

Crowley cas Afrikun-Amurkin “Westwerld” star Jeffrey Wriite ta toil n’ t’Munhattun anteek shop as Hobie. Why? Crowley simply saw Wriite as t’loyal, incerruptibull Hobie.

“Thar’s un inherent desency about Jeffrey at jes kums through,” he sez. “It felt like goin agin whut wuz counta writte un t’page, but it felt verr true ta t’spirit of whut Donna wrote.”

Frum ‘T’ Goltfinch’ ta ‘Lil Wimme’: 8 maj'r books bein made into movies direckly

Revu: ‘T’ Goltfinch’ feels like un attractif’ fergery rath’r thun a real masterwerk

Beris is a literal lifesav’r n’ t’end

T’ relatyunship twee t’Ukruniun-born Beris Pavlikovsky (playd by Finn Wolfhard as a high skool’r un’ Aneurin Barnard as un adult) un’ Theo (yung Oakes Fegley un’ Elgert) is a model of true friendship enduryun’ und’r unusual circumstances un’ a slew of drugs.

N’ t’book, t’guilt-ridde adult Beris trax Theo down n’ New York Citee un’ confesses at he stole “T’ Goltfinch” (un’ replacet it wiff a skool book), t'lost t’puntyun’. N’ t’moovee pitshure shue, t’acoupla bump into each uth'r at a Russiun bar n’ New York by coincidance un’ he confesses.

A bigg’r change kums aft’r Theo waits f'r Beris f'r weeks n’ un Amsterdam hotel aft’r thar botchet attempt ta take t’ puntyun’ back frum local criminals. N’ t’book, t’depresset Theo ultimately decides ta turn hissef n’ ta Dutch pleece f'r his'n’n crimes we Beris shows up un’ stops ‘im. N’ t’moovee pitshure shue, Theo goes through wiff a suicide attempt, un’ Beris bursts through t’hotel do'r ta rescue his'n’n overdosyun’ frie.

Crowley sez much of t’drama n’ t’final ack is happenin offstage as Theo waits helplessly n’ t’hotel. So Beris’ heroic return servet as a scree climax wile emfasizyun’ t’impact Beris had un Theo.

“Beris enteryun’ back into Theo’s life at t’end rilly duz save Theo’s life,” Crowley sez. “So it felt like a verr true vershun of t’evants un’ a’lettin Beris ta be a lil m'r proactif’. It felt like a truthfil libertee ta take f'r t’drama un’ seein t’relatyunship twee Beris un’ Theo through.”

So hoe did t’auth'r feel about t’changes un’ t’moovee pitshure shue? No one knows

She hasn’t set a wurd publicly about t’moovee pitshure shue un’ stayet entirely out of t’filmmakyun’. No cameo, no intervioos, no premiere ret carpet.

Befer he wuz hiret, Crowley travelet ta Nerth Carolinie wiff produc’r Nina Jacobse ta meet wiff Tartt ov’r lunch. Thay talkt about t’existyun’ script un’ Crowley’s vishun f'r t’film, wile Tartt kep secretif’ about hern nex ritin projeck. 

“So I guess I gut t’humbs-up frum hern since it wuz announcet I wuz hiret t’nex day,” Crowley sez. “But at wuz t’only contact I had wiff hern frum thar un. We wuz trustid ta git un un’ make t’film.”

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Oakes Fegley un’ Ansel Elgert play yung Theo Deck’r ov’r acoupla periods n’ his'n’n life a’followin t’deeth of his'n’n belovet moth’r n’ “T’ Goltfinch.” USA TODAY

Furst, impertantly, “T’ Goltfinch” puntyun’ at serves as t’itle un’ canterpiece of t’new moovee pitshure shue (n’ theeters Frydee) rilly duz exist. And Dutch punt’r Carel Fabritius’ masterpiece is fine.

T’ puntyun’ wuz nev’r involvet n’ a 20th-cantry terrerist spolshun, n'r pilferet frum t’resultid rubbull, as depictid n’ Donna Tartt’s Pulitz’r Prize-a’winnin novel “T’ Goltfinch,” which has bee faithfully adaptid ta t’scree by dierekter John Crowley.

But art histeryins bleev t’ 1654 earl puntyun’ survivet its own devastatyun’ spolshun at same year, a blas at killt its punt’r, a tragedy alludet ta n’ t’film.

Un Oct. 12, 1654, t’yung Fabritius wuz a’livin n’ t’ western Netherlun’s town of Delft we a gunpowd’r warehouse explodet aft’r a wurk'r inspecktid t’area wiff a lantern. T’ talantid student of Rembrun’t wuz one of t’victims, as wuz mos of his'n’n puntings.

Duz ‘T’ Goltfinch’ stun’ up? Read air revu

Ranket: All t’bes films we saw at Teronto Film Festivul

“T’ spolshun destroyet a quart’r of t’own,” sez Victeria Sancho Lobis, curat'r of t’ upcomyun’ exhibishun “Rubens, Rembrun’t un’ Drawyun’ n’ t’Golte Age,” openyun’ Sept. 28 at t’Art Institute of Chicago. “T’ idee of (un spolshun) takin place n’ a museum echoes t’end of life f'r t’ punt’r at creetid ‘T’ Goltfinch.’”

“T’ Goltfinch” remuns un permanent display at t’ Mauritshuis n’ T’ Hague, Netherlun’s, whar it wuz movet ta a larg’r gallery aft’r Tartt’s book. Beris dee Munnick, a press un’ publicitee offic’r at t’museum, sez t’wurk’s popularitee wiff visiters (speshly Amurkin visiters) a’ke be gauget by t’quantitee of “Goltfinch”-themet merchun’ise n’ t’gift shop, which has rise frum one item ta 40.

T’ puntyun’, feeturyun’ t’domestic bird helt by a small chane, offers a cumpellin look at t’artist’s prodigiyus talent. He sinet t’13-by-9-inch peece proudly n’ large letters. 

“Fabritius takes such ke'r ta pertray t’ bird so lifelike, endowyun’ thishere modest subjeck wiff all his'n’n skill un’ talent,” Lobis sez. “He carries thishere off wiff such artistry at it transsends t’eggsperyints of daily life.”

T’ museum allowd filmmakers ta use 3D skuns of “T’ Goltfinch,” which impressd Crowley wiff thar “molecular detail.”

N’ t’film, t’puntyun’ is exhibitid at New York‘s Metropolitun Museum of Art, un exhibit which nev’r took place (tho “T’ Goltfinch” did travel ta New York‘s Frick Colleckshun n’ 2013). 

T’ Metropolitun gallery rooms wuz re-creetid n’ a massif’ Yonkers warehouse. M'r thun 80 artwerks wuz replicatid f'r t’exhibishun, includin Rembrun’t’s “T’ Anatomy Lessun of Dr. Nicolaes Tulp,” which is feeturet prominantly un’ shown damaget by t’fictitiyus terrerist uhtack.

N’ reelitee, “T’ Anatomy Lessun” remuns unharmet, permanantly houset at t’Mauritshuis n’ a separate room frum “T’ Goltfinch.”

One moovee pitshure shue ssene wuz shot outside t’rue Metropolitun Museum of Art, which shows debris-coverd bombyun’ surviv'r Theodere Deck’r (Oakes Fegley) smugglyun’ “T’ Goltfinch” out of t’museum n’ t’chaotic aftarmath.

Theo wraps t’ small puntyun’ n’ a copy of t’New York Post tabloid f'r safekeepyun’ un’ it became his'n’n secret possession as un adult (playd by Ansel Elgert). Lat’r, t’reesure falls into t’hun’s of organizet crime as drug-buyyun’ collateral. Thishere, of cerse, nev’r happent. 

But Lobis appreciates at t’2013 book un’ t’moovee pitshure shue will a’cantinyah ta make “T’ Goltfinch” one of t’mos popular puntings n’ t’Dutch museum un’ t’worl, un’ ta draw tenchun ta t’ragically shert life of its creet'r.

“I luv at a wurk frum t’17th cantry a’ke a’cantinyah ta have such meenin un’ relevance ta thems of us roun today,” Lobis sez. “These wurks air a pertal ta anoth’r time un’ place.”

Crowley wuz persuadet of t’allure of “T’ Goltfinch” aft’r seein t’wurk n’ perse, a poe’r at eve he concedes cannot be conveyet un film.

“Y’all air cunvintset at it’s ackshly breethin. At thar’s a tension n’ it. It looks like it’s about ta take fliite frum at perch un’ t’chane will rattle,” Crowley sez. “It’s almos a’sayn’t, ‘Don’t judge me. If'n’n y’all reckun I’m ta be pitiet, so air y’all.’”

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Rit'r-dierekter Frank Darabont”s belovet drama “T’ Shawshank Redempshun” returns ta theeters wiff Tim Robbins un’ Mergun Freemun. USA TODAY

Rit'r un’ dierekter Frank Darabont a’ke be graciyus about a moovee pitshure shue like 1994″s  “Shawshank Redempshun,” which has consistantly bee ranket t’numb’r one favert film of all-time by fans un IMDB since 2008.

But we Darabont made t’ nawh-belovet prise drama starryun’ Tim Robbins un’ Mergun Freemun m'r thun 25 yeers ago, t’furst-time dierekter had his'n’n share of hedakes, includin castyun’ setbax at includet burgeonyun’ stars Brad Pitt un’ James Gun’olfini a’pullin out of t’har respectif’ roles. 

As “Shawshank Redempshun” turns 25 Sept. 23 (wiff Fathom Evants screenings natyunwide Sept. 22, 24 un’ 25) Darabont a’ke nawh chuckle about setbax at turnt out ta wurk jes fine.

“These air t’advantures n’ castings,” sez Darabont. “But it would be rilly fun ta bump into Brad Pitt un’ say, “Wuz’t y’all at guy?” I’d luv ta gif’ ‘im a lil crap about at jes f'r fun.”

Here air sum of Darabont”s mos memerabull advantures.

Brad Pitt wuz spozet ta play prisen’r Tommy

T’ yung, hunky Pitt made a huge impression wiff Darabont durin “Shawshank”s” castyun’, which kum aft’r Pitt had shot his'n’n role as t’parole-vialaytin’ robb’r J.D. who setucet Geena Davis” Thelma n’ “Thelma un’ Louise.”

Darabont cas Pitt n’ whut seemt ta be t’dramatically purrfeck fall'r-up as charm’r Tommy Williams, a keer ackt'r who had bee shuttlet across 13 prisons f'r robbery n’ his'n’n shert life. 

T’ Tommy part is pivotal, but small, a’kummin late n’ t’moovee pitshure shue. Darabont sez as filmyun’ neeret, Pitt”s fame explodet wiff “Thelma un’ Louise” un’ Pitt pullt out so he could star alongside Tom Cruise n’ 1994″s “Interview wiff a Vampire.”

“We didn’t knoe (Pitt) wuz goin ta skyrocket into sup’r-stardom so quickly. We it kum time ta shoe up, suddenly thay coultn’t fall'r through un thar “yep,” ” sez Darabont. “It’s probly jes as well at we wound up nairy usall ‘im. Brad Pitt n’ at small “Shawshank” role, would it throe t’film”s balance? No hard feelins, he had uth'r thangs he had ta do.”

Gil Bellows wuz cas f'r t’part of Tommy, un’ “enhancet t’moovee pitshure shue,” sez Darabont. “Gil wuz so dadgum good.”

James Gun’olfini wuz spozet ta play Bogs

T’ menaseeun’ role of prisen’r Bogs Dimund wuz spozet ta go ta anoth’r “unknown dude” at t’ime, one James Gun’olfini. We t’off-Broadway treedyun’, still-strugglyun’ Gun’olfini read f'r Darabont, t’dierekter wuz “floeret. I turnt ta my produc’r Niki Marvin un’ set, “Oh yeah, let’s jes off’r ‘im t’role.” “

But shertly aft’r acceptyun’ t’job, Gun’olfini pullt out f'r a bigg’r role as t’hug Virgil n’ 1993″s “True Romants” (whar he had a classic ssene wiff Pitt”s ston’r Floyd).

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“We set, of cerse, no hard feelins if'n’n he has a bett’r thang ta do at’s goin ta serve his'n’n keer’r bett’r,” sez Darabont. “But Gun’olfini almos became Bogs. I marvelet at t’bodee of wurk he assemblet aft’r at.”

Durin a new castyun’ call, Darabont wuz thrillet ta find Mark Rolston, who playd Private Drake n’ 1986″s “Aliens,” n’ t’hallway waitin ta awedisyun.

“I’m t’biggest “Aliens” fun thar is. He had me at “hello,” ” sez Darabont. “I luvet wurkin wiff thishere guy. He brung sumthin indelibull.”

Tom Cruise wuz gunnyun’ ta play Andy

ta reunite wiff his'n’n “A Few Good Menfolk” dierekter Rein’r, un’ play unjustly imprisonet Andy Dufresne.We Rob Rein’r”s Castle Rock Entertunment agreet ta produce Darabont”s screenplay, Tom Cruise saw un oppertuntee

Darabont sez he wuz offerd cash ta alloe Rein’r ta direck, but turnt it down.

Still,Cruise “wuz close” ta playyun’ Andy without Rein’r, eve attendyun’ a tabull read. But ultimately he pullt out. 

“I reckun he wuz a bit nervyus wurkin f'r a furst-time dierekter. I don’t blame ‘im f'r at,” sez Darabont.  “But he mite have bee too big f'r t’ moovee pitshure shue I wantid ta make. It wasn’t a “Cool Hun’ Luke” role whar y’all want Paul Newmun. It wuz a lil less bold, m'r suttle thun at.”

Today it would be impossbull f'r t’legion of “Shawshank” fans ta visualize innyone else n’ t’Andy Dufresne role uth'r thun Robbins, who wuz ultimately cas.

“So all”s well at ends well,” sez Darabont.

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Oakes Fegley un’ Ansel Elgert play yung Theo Deck’r ov’r acoupla periods n’ his'n’n life a’followin t’deeth of his'n’n belovet moth’r n’ “T’ Goltfinch.” USA TODAY

Spoil’r alert! Whut follows discusses specific plot points frum “T’ Goltfinch,” includin a moment near t’end of t’moovee pitshure shue. Stop reedin nawh if'n’n y’all have’t see t’film yet un’ don’t want ta knoe.

Brangin a neerly 800-page novel like Donna Tartt’s “T’ Goltfinch” ta t’moovee pitshure shue scree meens changes will have ta be made.

Eve tho dierekter John Crowley’s drama runs a heftee 2 hours un’ 26 minnuts, thar air sum differences n’ t’moovee pitshure shue (n’ theeters nawh). A passyunate fun of t’book, Crowley took greet puns ta remane faithfil ta t’originull Pulitz’r Prize-a’winnin material, eve if'n’n he had ta step away frum Tartt’s line'r narratif’ ta make t’film m'r cinematic.

Ansel Elgert stars as t’hauntid museum-bombyun’ surviv'r wiff a secret stole treesure. Here’s whut y’all neet ta knoe about t’film’s changes. 

Seriously, don’t read inny futh'r lessn y’all’re preparet ta a’havin thangs spoilet.

T’ filmmakers divertid frum Donna Tartt’s descripshun of Theo’s guardiun Hobie

James “Hobie” Hobart, Theo’s devotid frie un’ evantual guardiun, is describet n’ thar furst meetin as resemblyun’ “anteek photos of Irish poets un’ pugilists” wiff “his'n’n skin un unheelthy white.”

Crowley cas Afrikun-Amurkin “Westwerld” star Jeffrey Wriite ta toil n’ t’Munhattun anteek shop as Hobie. Why? Crowley simply saw Wriite as t’loyal, incerruptibull Hobie.

“Thar’s un inherent desency about Jeffrey at jes kums through,” he sez. “It felt like goin agin whut wuz counta writte un t’page, but it felt verr true ta t’spirit of whut Donna wrote.”

Frum ‘T’ Goltfinch’ ta ‘Lil Wimme’: 8 maj'r books bein made into movies direckly

Revu: ‘T’ Goltfinch’ feels like un attractif’ fergery rath’r thun a real masterwerk

Beris is a literal lifesav’r n’ t’end

T’ relatyunship twee t’Ukruniun-born Beris Pavlikovsky (playd by Finn Wolfhard as a high skool’r un’ Aneurin Barnard as un adult) un’ Theo (yung Oakes Fegley un’ Elgert) is a model of true friendship enduryun’ und’r unusual circumstances un’ a slew of drugs.

N’ t’book, t’guilt-ridde adult Beris trax Theo down n’ New York Citee un’ confesses at he stole “T’ Goltfinch” (un’ replacet it wiff a skool book), t'lost t’puntyun’. N’ t’moovee pitshure shue, t’acoupla bump into each uth'r at a Russiun bar n’ New York by coincidance un’ he confesses.

A bigg’r change kums aft’r Theo waits f'r Beris f'r weeks n’ un Amsterdam hotel aft’r thar botchet attempt ta take t’ puntyun’ back frum local criminals. N’ t’book, t’depresset Theo ultimately decides ta turn hissef n’ ta Dutch pleece f'r his'n’n crimes we Beris shows up un’ stops ‘im. N’ t’moovee pitshure shue, Theo goes through wiff a suicide attempt, un’ Beris bursts through t’hotel do'r ta rescue his'n’n overdosyun’ frie.

Crowley sez much of t’drama n’ t’final ack is happenin offstage as Theo waits helplessly n’ t’hotel. So Beris’ heroic return servet as a scree climax wile emfasizyun’ t’impact Beris had un Theo.

“Beris enteryun’ back into Theo’s life at t’end rilly duz save Theo’s life,” Crowley sez. “So it felt like a verr true vershun of t’evants un’ a’lettin Beris ta be a lil m'r proactif’. It felt like a truthfil libertee ta take f'r t’drama un’ seein t’relatyunship twee Beris un’ Theo through.”

So hoe did t’auth'r feel about t’changes un’ t’moovee pitshure shue? No one knows

She hasn’t set a wurd publicly about t’moovee pitshure shue un’ stayet entirely out of t’filmmakyun’. No cameo, no intervioos, no premiere ret carpet.

Befer he wuz hiret, Crowley travelet ta Nerth Carolinie wiff produc’r Nina Jacobse ta meet wiff Tartt ov’r lunch. Thay talkt about t’existyun’ script un’ Crowley’s vishun f'r t’film, wile Tartt kep secretif’ about hern nex ritin projeck. 

“So I guess I gut t’humbs-up frum hern since it wuz announcet I wuz hiret t’nex day,” Crowley sez. “But at wuz t’only contact I had wiff hern frum thar un. We wuz trustid ta git un un’ make t’film.”

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Oakes Fegley un’ Ansel Elgert play yung Theo Deck’r ov’r acoupla periods n’ his'n’n life a’followin t’deeth of his'n’n belovet moth’r n’ “T’ Goltfinch.” USA TODAY

Furst, impertantly, “T’ Goltfinch” puntyun’ at serves as t’itle un’ canterpiece of t’new moovee pitshure shue (n’ theeters Frydee) rilly duz exist. And Dutch punt’r Carel Fabritius’ masterpiece is fine.

T’ puntyun’ wuz nev’r involvet n’ a 20th-cantry terrerist spolshun, n'r pilferet frum t’resultid rubbull, as depictid n’ Donna Tartt’s Pulitz’r Prize-a’winnin novel “T’ Goltfinch,” which has bee faithfully adaptid ta t’scree by dierekter John Crowley.

But art histeryins bleev t’ 1654 earl puntyun’ survivet its own devastatyun’ spolshun at same year, a blas at killt its punt’r, a tragedy alludet ta n’ t’film.

Un Oct. 12, 1654, t’yung Fabritius wuz a’livin n’ t’ western Netherlun’s town of Delft we a gunpowd’r warehouse explodet aft’r a wurk'r inspecktid t’area wiff a lantern. T’ talantid student of Rembrun’t wuz one of t’victims, as wuz mos of his'n’n puntings.

Duz ‘T’ Goltfinch’ stun’ up? Read air revu

Ranket: All t’bes films we saw at Teronto Film Festivul

“T’ spolshun destroyet a quart’r of t’own,” sez Victeria Sancho Lobis, curat'r of t’ upcomyun’ exhibishun “Rubens, Rembrun’t un’ Drawyun’ n’ t’Golte Age,” openyun’ Sept. 28 at t’Art Institute of Chicago. “T’ idee of (un spolshun) takin place n’ a museum echoes t’end of life f'r t’ punt’r at creetid ‘T’ Goltfinch.’”

“T’ Goltfinch” remuns un permanent display at t’ Mauritshuis n’ T’ Hague, Netherlun’s, whar it wuz movet ta a larg’r gallery aft’r Tartt’s book. Beris dee Munnick, a press un’ publicitee offic’r at t’museum, sez t’wurk’s popularitee wiff visiters (speshly Amurkin visiters) a’ke be gauget by t’quantitee of “Goltfinch”-themet merchun’ise n’ t’gift shop, which has rise frum one item ta 40.

T’ puntyun’, feeturyun’ t’domestic bird helt by a small chane, offers a cumpellin look at t’artist’s prodigiyus talent. He sinet t’13-by-9-inch peece proudly n’ large letters. 

“Fabritius takes such ke'r ta pertray t’ bird so lifelike, endowyun’ thishere modest subjeck wiff all his'n’n skill un’ talent,” Lobis sez. “He carries thishere off wiff such artistry at it transsends t’eggsperyints of daily life.”

T’ museum allowd filmmakers ta use 3D skuns of “T’ Goltfinch,” which impressd Crowley wiff thar “molecular detail.”

N’ t’film, t’puntyun’ is exhibitid at New York‘s Metropolitun Museum of Art, un exhibit which nev’r took place (tho “T’ Goltfinch” did travel ta New York‘s Frick Colleckshun n’ 2013). 

T’ Metropolitun gallery rooms wuz re-creetid n’ a massif’ Yonkers warehouse. M'r thun 80 artwerks wuz replicatid f'r t’exhibishun, includin Rembrun’t’s “T’ Anatomy Lessun of Dr. Nicolaes Tulp,” which is feeturet prominantly un’ shown damaget by t’fictitiyus terrerist uhtack.

N’ reelitee, “T’ Anatomy Lessun” remuns unharmet, permanantly houset at t’Mauritshuis n’ a separate room frum “T’ Goltfinch.”

One moovee pitshure shue ssene wuz shot outside t’rue Metropolitun Museum of Art, which shows debris-coverd bombyun’ surviv'r Theodere Deck’r (Oakes Fegley) smugglyun’ “T’ Goltfinch” out of t’museum n’ t’chaotic aftarmath.

Theo wraps t’ small puntyun’ n’ a copy of t’New York Post tabloid f'r safekeepyun’ un’ it became his'n’n secret possession as un adult (playd by Ansel Elgert). Lat’r, t’reesure falls into t’hun’s of organizet crime as drug-buyyun’ collateral. Thishere, of cerse, nev’r happent. 

But Lobis appreciates at t’2013 book un’ t’moovee pitshure shue will a’cantinyah ta make “T’ Goltfinch” one of t’mos popular puntings n’ t’Dutch museum un’ t’worl, un’ ta draw tenchun ta t’ragically shert life of its creet'r.

“I luv at a wurk frum t’17th cantry a’ke a’cantinyah ta have such meenin un’ relevance ta thems of us roun today,” Lobis sez. “These wurks air a pertal ta anoth’r time un’ place.”

Crowley wuz persuadet of t’allure of “T’ Goltfinch” aft’r seein t’wurk n’ perse, a poe’r at eve he concedes cannot be conveyet un film.

“Y’all air cunvintset at it’s ackshly breethin. At thar’s a tension n’ it. It looks like it’s about ta take fliite frum at perch un’ t’chane will rattle,” Crowley sez. “It’s almos a’sayn’t, ‘Don’t judge me. If'n’n y’all reckun I’m ta be pitiet, so air y’all.’”

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Dennis Rodmun sez he bilt his'n’n personal brun’ without endersemants un’ cerperate partnerships. T’ 58-year-ol’ ferm’r NBA star is t’subjeck of a new ESPN “30 f'r 30” documantree, “Dennis Rodmun: F'r Bett’r ow Wurs'r.” (Sept. 10) AP

LOS ANGELES — As un intimate group of his'n’n friens un’ colleegues watchet a speshul Hollywuod screenyun’ of t’ ESPN “30 f'r 30” film “Rodmun: F'r Bett’r ow Wurs'r” Mundie nite, Dennis Rodmun hissef wuz  contemplatyun’ life wiff a Cubun cigar outside t’ Los Angeles theet’r, admittyun’ “I a’ke’t watch it wiff uth'r people.”

T’ retiret NBA star, wild-hairet celebritee un’ onetime unofficial Nerth Kereun peece ambassad'r, 58, plans ta watch dierekter Todd Kapostasy’s projeck thishere weekend. Still, he wuz confident of a hit, siite unsee.

“Thishere documantree is goin ta shoe people un planet Earth about a’livin life n’ t’fas lane, t’sloe lane un’ t’middle lane,” Rodmun promises, a’puttin his'n’n dermant cigar un t’rug ta talk. “Everthang about a’livin t’rite way un’ t’rong way.”

N’ a chat wiff USA TODAY, Rodmun has a cuple of cerrectyuns un points made n’ t’film, which airet Mundie (availabull nawh un demun’ via t’ ESPN app un’ un ESPN+ un Oct. 9.

Dennis Rodmun wonts ta hep Trumb: By a’winnin Nobel Prize wiff Nerth Kerea deel

Questchun: It’s fittyun’ we’re a’talkin as Nerth Kerea has launchet anoth’r test missile. Do y’all feel y'r Kim Jong-Un outreech is y'r “greetest legacy,” as y’all state n’ t’doc?

Dennis Rodmun: I don’t like ta talk about Nerth Kerea too much. It wuz a verr integral part of my life aft’r basketball. I’m glad I did it. And it’s ov’r. But I’ve movet un.

Q: I wuz sprizet ta see Michael Jerdun participatyun’, but why no fella Chicago Bulls legend Scottie Pippe?

Rodmun: Yeah, at’s cool about Michael. He doesn’t do too minny a thangs. But Scottie? I’m goin ta see ‘im tomerroe. He wuz goin through sum thangs n’ his'n’n fambly life we we as ‘im. He coultn’t do it. But he sent his'n’n congratulatyuns un’ set serry.

Q: Minny a voices n’ ‘Bett’r ow Wurs'r’ say y’all rilly idolizet Jerdun. True?

Rodmun: It wasn’t at. But we wuz competiters all t’way through. He didn’t ke'r. Whutev'r it took ta win, (eve) if'n’n he had ta sacrifice his'n’n bodee, his'n’n mind, his'n’n soul. He livet basketball. I saw thishere guy sick. And y’all saw ‘im mesmerize uth'r opponants, thay didn’t knoe hoe ta play ‘im.  

Q: T’ segment whar y’all datid Madonna wuz quik’r thun I specktid, un’ Madonna didn’t take part. Why?

Rodmun: We didn’t as hern ow (ex biddy Carme Electra). We had a nice lil flyun’. At kum un’ gone. Madonna didn’t influance me ta be a fashun un’ creetif’ guru. We kum togeth’r n’ t’purrfeck time. She wuz stagnatyun’ n’ hern keer’r, un’ I wuz a’kummin up. We heppet ta motivate each uth'r, goin n’ t’same direckshun at at particlar time.

Q: Sun Antonio Spurs coach John Lucas tells a greet stery about y’all brangin Madonna into t’lock’r room. Whut’s y'r recollecshun of at?

Rodmun: She saw me t’las game of t’seese n’ Los Angeles n’ 1994. She wuz sittin n’ t’frunt roe wiff hern friens, a’lookin all Madonna-ish. Aft’r t’game, she’s sittin at my lock’r. I wuz like, ‘Whut t’hell air y’all a’doin here?’ I didn’t invite hern. She jes kum n’ un’ sat down. And all t’players wuz like, ‘Whut t’hell is she a’doin here?’ Thay didn’t ke'r; thay had thar towels un. Thay jes wantid thar pitchure wiff hern. She wuz nairy shockd, she wuz jes a’laffin, a’talkin wiff t’guys. And I wint back ta hern trayl'r. At wuz my life wiff Sun Antonio. I wuz a’livin t’basketball life un’ t’rock-star life. 

Q: David Robinse still seems vaxet by y'r champyunship-a’a'loose tenure wiff t’Spurs.

Rodmun: It’s hard ta describe at. We gut along, we didn’t git along. We somewhat playd togeth’r well, but didn’t communicate verr well. He didn’t knoe whut ta reckun of me. But as long as we wuz a’winnin, un’ successfil, we thunk it would bloe ov’r. But it nev’r did bloe ov’r.

Q: It didn’t bloe ov’r becawz y’all didn’t win a champyunship?

Rodmun: It could have wurket, but it didn’t wurk. I’m a’thankin ta myself, thank Gawd we didn’t win a champyunship n’ Sun Antonio. I thank my lucky stars. Becawz If'n’n I would have won a champyunship wiff Sun Antonio, I still would have bee thar. I nev’r would have made it ta t’Chicago Bulls, un’ Chicago woultn’t have won thems three champyunships. So it’s a blessin n’ disguise.

Q: Duz Wesley Snipes knoe y’all stole his'n’n hair frum 1993’s ‘Demolishun Mun,’ as menchund n’ t’documantree?

Rodmun: No. We I furst wint ta Sun Antonio un’ had my hair dyet at t’mall (at kum befer) my girlfriend at t’ime set, ‘Let’s go ta t’moovee pitshure shue.’ And she pickt ‘Demolishun Mun.’  

[embetdet content]

Q: T’ weddyun’ dress ta promote y'r 1996 autobiografy is a classic. Would it shock people nawh?

Rodmun: Hell, no. Aft’r I thunk of at idee, I kum ta t’hotel un’ wuz ridin a statyunree bike n’ t’gym. And I lookt ta my lef, un’ thar wuz (Aerosmith’s) Steve Tyl’r un t’bike nex ta me. I set ‘Steve, whut do y’all reckun about thishere idee?’ I’m a’thankin about a’warin a weddyun’ dress ta my book signyun’.’  And he flippet out. He wuz like, ‘At’s awesome; at’s greet.’ I nev’r knew a’warin a weddyun’ dress un Fifth Avenue wuz goin ta make at impact. We shockd t’worl. But today it would be a common thang.

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Joakwin Phoenix plays Arthur Fleck, a clown-f'r-har un’ stun’-up comic n’ ‘Jok’r.’ WARNER BROS. PICTURES

Thishere awards seese is goin ta be fun wiff “Jok’r” star Joakwin Phoenix.

Phoenix, who is alreddy generatyun’ feverish awards talk wiff his'n’n role as t’arch-villane n’ Todd Phillips’ dark drama, provet he a’ke gif’ a speech wiff t’bes of ‘um at t’Teronto Internatyunal Film Festivul’s Tribute Gala, 

Furst he gantly mocket t’idee of awards.

“I don’t knoe who’s rilly givin me thishere award, who’s responsibull f'r thishere ow why,” he tole t’crowd, accerdyun’ ta Varietee. “And frankly, I don’t ke'r. My publicist set, ‘Sumbidy wonts ta gif’ y’all un award’ un’ I set, ‘I’m n’. Let’s do it.’ “

Jes we it seemt like t’oddball Phoenix of t’pas wuz returnyun’, he wint deep. Rilly deep. He thankt his'n’n “Stun’ By Me” star bruth'r Riv’r Phoenix, who diet n’ 1993, f'r encouragyun’ ‘im ta git into acktin, sharyun’ a touchin anecdote feeturyun’ Riv’r a’kummin trayl'r frum a job.

“He had a VHS copy of a moovee pitshure shue callt ‘Ragyun’ Bull’ un’ he sat me down un’ made me watch it,” Phoenix set. “And t’nex day he woke me up, un’ he made me watch it agin. And he set, ‘Y’all’re goin ta start acktin agin; thishere is whut y’all’re goin ta do.’ He didn’t as me, he tole me. And I am indebtid ta ‘im f'r at, becawz acktin has gif’ me such un incredibull life.”

T' he pullt out of t’emoshun un’ wint f'r a laff, callin out a kooky nickname f'r girlfriend Rooney Mara, who wuz un hun’ f'r “T’ Jok’r” premiere.

“One las thang,” he set, wrappyun’ up t’speech. “Sumwhars here, I don’t knoe whar, is a filthy dragon, un’ I want ta rip its wings off un’ faste a blanket un’ sleep wiff it f'rev'r. … I luv y’all. Thank y’all.”

No Joakwin. Thank y’all!

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Pennywise t’evil clown returns as duz t’grownup Losers’ Club – includin Jessica Chastane, Bill Had’r un’ James McAvoy – n’ “It Chaptur Acoupla.” USA TODAY

PASADENA, Califerny – T’ absolute creepiest moment n’ “It: Chaptur Acoupla” has nuthin ta do wiff a clown.

Ent’r blood-curdlyun’ Mrs. Kersh, whos insane perfermunts at tea wiff Jessica Chastane’s Beverly dominatid t’Stefe Kyun’ sekwel’s furst trail’r n’ May. Hern keer ackt'r goes frum kindly ta sweetee frozen-face menace aft’r deliveryun’ t’ line “Y’all knoe whut thay say about Derry: No one who dies here ev’r rilly dies.”

Thishere wuz fallerd by a nekkid scamp’r n’ t’dark behin t’unsuspectyun’ Bev, befer Mrs. Kersh reveels hern true monstryus self.

Freek-out alert: Mrs. Kersh is eve scari’r n’ t’full film (n’ theeters nawh), leedyun’ ta minny a firsts f'r veterun actress Joun Gregse, nawh 86: Hern furst h'rr'r film, hern furst breekout perfermunts un’, yep, hern furst nude ssene.

“At wuz one condishun about a’doin t’role: Thay as me if'n’n I would do a nude ssene,” Gregse sez. “I listnet ta my agent, I drew a deep breth un’ set yep. I wantid thishere role. And I did t’furst nude ssene I have ev’r done. At 85.”

Should y’all see ‘It Chaptur 2’? Read USA TODAY’s revu

Luv, Losers un’ evil clowns: Everthang y’all neet ta catch up f'r ‘It 2’

“I’ve nev’r had ta turn inny down befer,” she adds wiff a laff. “No one had ev’r as me.”

T’ radyint Gregse is all kine smiles (rilly!) about hern newfound h'rr'r success, sippin tea n’ t’histeric un’ suitably creepy Octagon Trayl'r n’ Pasadena.

T’ actress has a long moovee pitshure shue resume, wiff parts rangyun’ frum t’ Chopard clerk who helps Adrie Brody’s detectif’ n’ “Hollywuodlun’” ta a mermaid alongside Hume Cronyn n’ t’1999 TV moovee pitshure shue “Sea People.”

She has bee acktin f'r 58 yeers but nev’r wurket n’ h'rr'r, she sez. “And it’s wunderfil – a whole new genre has opend up f'r me.”

Gregse wantid t’Mrs. Kersh part so bad durin audityuns las year at she repeetid t’keer ackt'r’s name n’ silent pray’r. “I wuz a’trine ta remind t’mun upstairs at thishere wuz one I wantid. It wuz a slew of a’wishin a’trine ta make it come true,” she sez.

But dierekter Andy Muschietti sez it wuz un easy deecishun un’ no acksident at Mrs. Kersh is earnyun’ hern spot n’ h'rr'r lore.

“It wuz verr clar at it wuz goin ta be Joun. Thar’s sumthin n’ hern eyes,” he sez. “And t’moment y’all see hern perfermyun’, y’all knoe thishere is a seriyus ackt'r.”

Nairy only could Gregse brang t’convincyun’ warmth, but she turnt un t’ menace as Bev figgers out Mrs. Kersh is t’ dauite’r of Bob Gray, whos evil clown Pennywise is un incarnashun of t’shapeshiftyun’ creeture referret ta as “It.”

Muschietti whisperd commun’s (Freeze! Smile! Laff!) ta Gregse durin hern close-ups. But hern frozen face wiff t’daid smile wuz so powerfil, eve t’crew murmuret. “I eyesd thishere wuz goin ta be sumthin rilly speshul,” Muschietti sez.

T’ nude prance n’ t’darkenet kitchin behin Chastane’s Bev wuz shot un a closet set wiff Muschietti askin Gregse (by intercom) ta try differnt walks.

Gregse’s newfound fame has brung true fun’om alreddy. Arrivyun’ f'r t’moovee pitshure shue’s premiere n’ August, she wuz pleesantly shockd we t’hotel bellhop as ta take a selfie wiff hern. “At’s t’furst time I have bee recognizet,” Gregse sez.

Hern fambly (acoupla dawters un’ fife grun’chiltre) air “thrillet ta bits” wiff hern success.

“My dauite’r taxtid me aft’r t’rail’r, askin, ‘Air y’all nekkid?’ I set, ‘Y’all have good eyes.’ And she wuz like, ‘Is at a yep ow a no?’ ” Gregse sez.

One fun eve recut hern kitchin walk, addyun’ a’a'giggly musick.”It’s verr funny,” Gregse sez. “Oh, my suntid mamaw, whutev'r would she reckun?

“Goodness knows,” she adds n’ ans'r ta hern own questchun. “Maybe she’s a’laffin about it rite nawh.”

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